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    <loc>https://www.madeleinemorley.info/writing/the-unheard-symphony-of-the-planet</loc>
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    <lastmod>2025-04-24</lastmod>
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      <image:title>Writing - The Unheard Symphony of the Planet - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.madeleinemorley.info/writing/the-haunting-of-epson</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing - The Haunting of Epson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing - The Haunting of Epson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.madeleinemorley.info/writing/i-could-never-abandon-them-neopets-users-play-on</loc>
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    <lastmod>2021-12-08</lastmod>
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      <image:title>Writing - “I Could Never Abandon Them”: Neopets Users Play On - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing - “I Could Never Abandon Them”: Neopets Users Play On - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.madeleinemorley.info/writing/visual-language-counter-culture</loc>
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    <lastmod>2021-09-03</lastmod>
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      <image:title>Writing - The Visual Language of the Counter Culture, From Dada to the Digital Age - Make it stand out</image:title>
      <image:caption>Photography by Thomas Brown</image:caption>
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  <url>
    <loc>https://www.madeleinemorley.info/writing/ux-of-porn-tubes</loc>
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    <lastmod>2021-08-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624041999725-LRSV58HLP4SVTQ9IHGLK/Screenshot+2021-06-18+at+20.37.41.png</image:loc>
      <image:title>Writing - How Porn Sites Got Their Hands All Over Our Hard Data - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing - How Porn Sites Got Their Hands All Over Our Hard Data - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Writing - How Porn Sites Got Their Hands All Over Our Hard Data - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/sore-popitz</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044796213-UZBATWB23ITW2LUP37N6/die-neue-linie-sore-popitz-eye-on-design-aiga-bauhaus-1931.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Söre Popitz, cover for die neue linie, issue 12, 1931. 37 x 26.9 cm. Bauhaus Dessau Foundation I 44174 / loan from Wilma Stöhr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044529466-QGJGH20WBYCK1G0OMNH3/90db70b8a987f976fc7b666075021fd7.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Söre Popitz, advertisment for Thügina, 1925/1933. Proof on paper, 15 x 12.7 cm. Bauhaus Dessau Foundation I 44148 / loan from Wilma Stöhr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044626215-LS6AV6QPVIYLXY5R423E/51efc38226064d3669cf54337ef5b2a8.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Söre Popitz, brochure cover for the publisher Otto Beyer, presumed 1934. 21 x 15 x 0.2cm. Bauhaus Dessau Foundation I 44165 / loan from Wilma Stöhr.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044455689-3WV6RUOML1ZW3OARKVKB/726bb03bbe7699c64d78f6c7f07d7abc.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Söre Popitz, poster for Bode Gymnastik, 1925/1930. Poster paper, 44.9 x 59.8 cm. Bauhaus Dessau Foundation I 44251 / loan from Wilma Stöhr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044707182-W0AHW13HWM5BRPJMQJ7X/8afde1cb8ea75fab9b21a6b558ea8f03.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Söre Popitz, advertisment for Thügina, 1925/1933. Proof on paper, 14.9 x 12.5 cm. Bauhaus Dessau Foundation I 44143 / loan from Wilma Stöhr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624044268197-2OHTYT72HMNYY8IKYWJ5/41a0fb178323e87e04e991ce098f0771.jpg</image:loc>
      <image:title>Writing - Celebrating Söre Popitz, the Bauhaus’ Only Known Woman Advertising Designer&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Portrait of Irmgard Sörensen-Popitz, 1924. Silver gelatin print, 12.2 x 9 cm. Bauhaus Dessau Foundation I 44190 / loan from Wilma Stöhr.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/a-hrefhttpseyeondesignaigaorgself-taught-designer-marguerita-mergentime-literally-brought-modernism-to-the-table-in-americamarguerita-mergentime-modernism-to-the-table-in-americaa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624089990078-4Y90IWZ0ZJDI3MRGL17V/Screenshot+2021-06-19+at+09.48.45.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime at work on fabric design for Radio City Music Hall, ca. 1932</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624090161755-MNTDS6N9B4FBW4M72ZED/Screenshot+2021-06-19+at+09.49.07.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime, “Milky Way,” 1939</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624090063969-DGNPKOKDPRR7CQBMU928/Screenshot+2021-06-19+at+09.49.19.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime, “Food for Thought,” 1936</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624089910049-IDB1HQ6XQGS85R4V3GXX/Screenshot+2021-06-19+at+09.49.45.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624090095284-K2DMDBUOWRZWZNC0MG5V/Screenshot+2021-06-19+at+09.49.14.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime, “Food Quiz,” 1939</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624089961913-UABIL7DIDSJZJPR30AQZ/Screenshot+2021-06-19+at+09.48.56.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime, “Instead Of,” 1934</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624090191274-Z7BT0HHOZBA740WQLQWY/Screenshot+2021-06-19+at+09.49.54.png</image:loc>
      <image:title>Writing - Marguerita Mergentime Literally Brought Modernism to the Table in America - Make it stand out</image:title>
      <image:caption>Marguerita Mergentime, “Americana,” 1939. Rayon, cotton. 123 × 54 in. Brooklyn Museum, gift of Charles B. Mergentime</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/introduction-to-mjkvdl-2021-an-interview-with-mark-jan-krayenhoff-van-de-leur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-10</lastmod>
    <image:image>
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      <image:title>Writing - Introductory Essay for MJKVDL 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Writing - Introductory Essay for MJKVDL 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624114610337-IAZZDJCLCL1I4GPPMGHG/IMG_9285.jpg</image:loc>
      <image:title>Writing - Introductory Essay for MJKVDL 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.madeleinemorley.info/writing/tupperware</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624027094650-X333VT4OFZARWJBFO1DR/Tupperware.jpg</image:loc>
      <image:title>Writing - Tupperware Was the Original Social Network of 1950s Suburbia&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Magazine design by Allyn Hughes. Photography by Tala Safié.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624027304658-PUS28NBS9SQJBTXNAEZ2/Screenshot+2021-06-18+at+16.34.14.png</image:loc>
      <image:title>Writing - Tupperware Was the Original Social Network of 1950s Suburbia&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624027441047-63LNHXP5P2KGEOPFKAAW/Screenshot+2021-06-18+at+16.42.24.png</image:loc>
      <image:title>Writing - Tupperware Was the Original Social Network of 1950s Suburbia&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624027177709-FXT4PL2SUHLXUG9CG88Y/Screenshot+2021-06-18+at+16.34.38.png</image:loc>
      <image:title>Writing - Tupperware Was the Original Social Network of 1950s Suburbia&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/the-cost-of-free-love-and-the-women-who-bore-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899602512-73UY1HEQHQGS854A38L4/Screenshot+2021-06-28+at+18.59.27.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Oz, no. 8. 1968. Cover designed by Virginia Clive-Smith and John Goodchild. The Letterform Archive, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899132428-4A59APYAR4QI2MJWBM89/Screenshot+2021-06-28+at+18.50.55.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Aspen, no. 9. front and back, 1970. Designed by Hetty MacLise. Edited by Angus and Hetty MacLise. The Letterform Archive, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624043891501-N023BJ3SV7D5UEW2LRFK/Screen-Shot-2018-10-06-at-09.48.21.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899362891-0QPUQBB597E5Q2W7WJEV/Screenshot+2021-06-28+at+18.53.40.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Aspen, no. 9 1970. Box interior. Designed by Hetty MacLise. Edited by Angus and Hetty MacLise. The Letterform Archive, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899672574-UBEQ1T8BIPI3XGVDND0X/Screenshot+2021-06-28+at+19.00.55.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Virginia Clive-Smith’s notebook, showing a sketch for the Oz masthead. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624898979487-T1WGTGFODHOMFWSC8EFX/Screenshot+2021-06-28+at+18.49.14.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Bonnie Maclean. The Yardbirds, The Doors. 1967. Offset lithograph, 21 1/4 x 14″ (54 x 35.5 cm). Published by Bill Graham Presents, San Francisco. The Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899719328-K5WTQFUZG3TGBOWZLN9U/Screenshot+2021-06-28+at+18.59.36.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Oz, no. 1. Cover featuring masthead designed by Virginia Clive-Smith.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624899428274-33Q07AGHCKGTVS1BX1AV/Screenshot+2021-06-28+at+18.56.51.png</image:loc>
      <image:title>Writing - The Cost of Free Love and the Women Who Bore It - Make it stand out</image:title>
      <image:caption>Mari Tepper. Hallelujah the Pill. 1967. 22 x 22″ (55.9 x 55.9 cm) Published by American Newsrepeat Co. © Mari Tepper. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/london-zoo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624042492840-X7707VD13S31F9KEXLLA/Screenshot+2021-06-18+at+20.52.18.png</image:loc>
      <image:title>Writing - Modernisms Not for Everyone—Least of All Penguins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624042957900-8Q5RJ4MK1R3IG5F6KLTK/Screenshot+2021-06-18+at+20.52.32.png</image:loc>
      <image:title>Writing - Modernisms Not for Everyone—Least of All Penguins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Writing - Modernisms Not for Everyone—Least of All Penguins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/cooking-sections</loc>
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    <lastmod>2021-08-10</lastmod>
    <image:image>
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      <image:title>Writing - All You Can Eat: An Interview with Artist Duo Cooking Sections&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624285637013-QC1S3SJ3MPSTEAJIN7DI/IMG_9882.jpeg</image:loc>
      <image:title>Writing - All You Can Eat: An Interview with Artist Duo Cooking Sections&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624285680675-OW6T5UP9PCHIQVSTHN2B/IMG_9886.jpeg</image:loc>
      <image:title>Writing - All You Can Eat: An Interview with Artist Duo Cooking Sections&lt;/a&gt; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/netflix-is-keeping-us-awake-at-night</loc>
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    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
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      <image:title>Writing - Netflix is Keeping Us Awake at Night - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/writing/print-matters-an-interview-with-aa-bronson</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-10</lastmod>
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      <image:title>Writing - Print Matters: An Interview with AA Bronson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/contact</loc>
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    <priority>1.0</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60cc883462b3df28364674ee/1624023198489-DIIB4EO6ZW8W84LWSU6I/KRISTINKRAUSE__MG_0220-small.jpg</image:loc>
      <image:title>Contact</image:title>
      <image:caption>I’m Madeleine Morley (she/her), a freelance writer and editor based in Berlin and originally from London. Most of my work focuses on the intersection of design and culture. I’m currently freelancing and working on various book projects with A24. I write features, essays, profiles, and reviews; my words have appeared in The New York Times, Fast Company, The Observer, Dazed and Confused Magazine, AnOther, Elephant Magazine, WePresent, and many more. Essays of mine have also been published by Princeton Architectural Press, The Wellcome Collection, Onomatopee, Maria Editions, and Chateau International. In 2020, I was a recipient of Switzerland’s Pro Helvetia cultural fund, with which I co-founded the hybrid learning community and publishing platform, Futuress.org. I have a degree in English Literature from Cambridge University and an M.A. in History of Art from the Courtauld Institute. If you’d like to get in touch for commissions or other opportunities, you can reach me at madeleineam[at]gmail.com</image:caption>
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  </url>
  <url>
    <loc>https://www.madeleinemorley.info/information</loc>
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    <lastmod>2021-08-23</lastmod>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/work</loc>
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    <lastmod>2025-04-26</lastmod>
  </url>
  <url>
    <loc>https://www.madeleinemorley.info/work/otto-a-modern-day-fairy-tale</loc>
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    <lastmod>2025-04-26</lastmod>
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  <url>
    <loc>https://www.madeleinemorley.info/work/futuress</loc>
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    <lastmod>2021-07-20</lastmod>
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      <image:title>Publishing - Futuress - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Publishing - Futuress</image:title>
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      <image:title>Publishing - Futuress - Co-founding Editor of Futuress, 2020</image:title>
      <image:caption>Futuress is an online magazine and community space for design research. I co-founded the platform in the summer of 2020 with Nina Paim and Eliot Gisel of the design research practice common-interest, after receiving cultural funding from Pro Helvetia as part of its “Close Distance” Covid-19 funding scheme. We came together out of a desire to build a home for the histories, people, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored, especially in the mainstream press. Futuress has a two-fold model: It runs online workshops on design research and publishes original storytelling. Futuress understands design as an expansive social and political practice, examining the objects, systems, and structures that shape our lived realities. For the platform, design is as much artifacts and aesthetics as it is, for instance, the grammatical structure of a language, the infrastructure of a border, or the systems underpinning how food is circulated. It publishes stories on the politics of design and the design of politics, on marginalized visual and political histories, on design’s role in activist causes, and on the impact of social structures and processes on our personal experiences of the world.</image:caption>
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  <url>
    <loc>https://www.madeleinemorley.info/work/lettering-by-walter-kch</loc>
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    <lastmod>2025-04-24</lastmod>
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    <loc>https://www.madeleinemorley.info/work/connect-zine</loc>
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      <image:caption>The “Gossip” Issue. Magazine photography by Tala Safié. Design by Allyn Hughes.</image:caption>
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      <image:caption>The “Utopias” Issue. Magazine photography by Tala Safié. Design by Na Kim.</image:caption>
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      <image:caption>The "Utopias" Issue. Magazine photography by Tala Safié. Design by Na Kim.</image:caption>
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      <image:caption>The "Distraction" Issue. Magazine photography by Tala Safié. Design by Studio Pandan.</image:caption>
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